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Doomsday 2012: If Not Zombies then….UFO’s, Planet X and Other Heavenly Bodies
Doomsday 2012: If Not Zombies then….UFO’s, Planet X and Other Heavenly Bodies
By Jim Donahue
After careful reflection and some prompting from certain individuals, I feel as though I have forgotten to mention some material in regards to what might happen on 12/21/2012. So for the moment, the next installment, Doomsday 2012: How to Prepare and Survive the Event, is on hold while I touch on some other perspective problems.
UFOs have been a hot topic of debate all over the world for eons. What with more than one airline pilot admitting to have seen a UFO, it would appear that they do in fact exist. In fact, in México City, UFO sightings are a daily happen stance. And there are other places around the globe where similar things occur.
The History Channel has a series Ancient Aliens attempts to deal with this phenomenon from a factual standpoint. It comes off as factual to some degree, but in the end, it’s just entertainment. One of the show’s most well-known contributors, Erich von Däniken, author of the book, Chariots of the Gods? Is accepted as gospel by true believers.
The background information for the series, posted on the channel’s website, says, “According to ancient alien theorists, extraterrestrials with superior knowledge of science and engineering landed on Earth thousands of years ago, sharing their expertise with early civilizations and forever changing the course of human history. Ancient alien theory grew out of the centuries-old idea that life exists on other planets. The space program played no small part in this as well: If mankind could travel to other planets, why couldn’t extraterrestrials visit Earth?
Most ancient alien theorists, including von Däniken, point to two types of evidence to support their ideas. The first is ancient religious texts in which humans witness and interact with gods or other heavenly beings who descend from the sky—sometimes in vehicles resembling spaceships—and possess spectacular powers. The second is physical specimens such as artwork depicting alien-like figures and ancient architectural marvels like Stonehenge and the pyramids of Egypt.
Alex Knapp of Forbes.com says, “I find it incredible and frightening that a worldwide distributed television channel that bills itself as ‘The History Channel’ can broadcast such rubbish as Ancient Aliens. If it were an entertainment program, I’d have fewer worries (although it would still make me cross); it is the implied authority of the channel (‘The History Channel,’ not just any old ‘History Channel’) that makes the broadcast of this series so potentially damaging as we saw in the reaction of the forum poster quoted above. A channel that is making claims for its authoritative status, which offers educational resources, has a responsibility not to mislead its viewers (no doubt its executives think of them as ‘customers’). That responsibility is one that all makers and broadcasters of supposedly factual television have, but one that few of them take seriously: the responsibility to check facts.”
Okay, now let’s talk about Planet X. Planet X, also known as Nibiru, is a mysterious object that orbits our sun every 3600 years. This object has a very significant connection to the Mayan calendar date of 2012. There is so much information about what is happening in our solar system that even the local news channels report that there are signs of planet X. Dr. Michio Kaku a renowned scientist claims that scientists like him had made a mistake. He made a statement saying that scientific data regarding the passing of Planet X passing through our solar system was off by a factor of 20. What this means is that scientists had previously misinterpreted the difference between a X class solar storm and the new catastrophic Y class solar storms detected in 2003 from hitting the Earth. This corrected data makes an immensely distinct difference between a survivable X class solar storm versus an incredibly strong Y class solar storm that would disrupt the world so harshly with the possible result of setting humanity back towards a third world economy across a global scale. This is a very real difference in data and a very real threat to mankind. And so it goes. We may have a near Earth object collide with our planet.
There is also increased interest in Earth’s moon. Some say it’s a landing base and operations center for aliens. Rumor has it that the American government has marked as classified a lot of information about findings on the Moon. In 1988, a prominent Chinese official, a member of the nation’s space program, unveiled pictures of human footprints on the lunar surface. The official stated that he had received the information from a reliable source and accused the Americans of concealing that information. The photos were dated from August 3, 1969 – two weeks after Armstrong and Aldrin stepped onto the surface of the Moon on July 20, 1969. Therefore, the materials of the lunar mission were studied and classified by NASA.
On March 15, 2009, The New York Times produced another sensation. The same Chinese official, Mao Kan, stated that he had obtained over than 1,000 secret NASA photographs depicting not only human footprints but also a human carcass on the surface of the Moon. Some of the bones in the carcass were missing, the official said. The human corpse must have been dropped on the Moon from an alien spaceship, but the extraterrestrials kept some tissue samples for research.
The photos were taken by a lunar probe. The absence of air makes it possible to capture minute details from the lunar orbit. The pictures of the carcass were very clear.
Dr. Ken Johnston, former manager of the Data and Photo Control Department at NASA’s Lunar Receiving Laboratory, said that US astronauts had found and photographed ancient ruins of artificial origin on the Moon. Supposedly, US astronauts had seen large unknown mechanisms on the Moon. This data was classified by the US government.
Some folks are true believers, and others are skeptical. Which are you?
ZOMBIE HISTORY – The Plague That Is Zombies
‘I hereby resolve to kill every vampire in America” writes the young Abraham Lincoln in the best-selling 2010 novel “Abraham Lincoln: Vampire Hunter.” Honest Abe doesn’t quite make good on his promise, and the grim results are all around us. Today, vampires spring from the shadows of our popular culture with deadening regularity, from the Anne Rice novels to the Twilight juggernaut to this year’s film adaptation about the ghoul-slaying Great Emancipator. Lately we’ve also endured a decadelong bout with the vampire’s undead cousin, the zombie, who has stalked films from “28 Days Later” to “Resident Evil” (the next sequel of which is due out this fall) and the popular TV show “The Walking Dead.”
Purists will hold forth on the differences between vampire and zombie, but the family resemblance is unmistakable. Both are human forms seized by an animal aggression, which manifests itself in an insatiable desire to feed on the flesh of innocents. (Blood, brains, whatever; it’s a matter of taste.) Moreover, that very act of biting, in most contemporary versions of both myths, transforms the victims into undead ghouls themselves.
Our vampires and zombies (as well as such poor relations as werewolves) all serve as carriers for vaguely similar saliva-borne infections. These mythical contagions are especially odd because they have so few analogues in the natural world. Indeed, there is really only one: the rabies virus.
A fatal infection of the brain, rabies is particularly devastating to the limbic system, one of the most primitive parts of the brain. Fear, anger and desire are hijacked by the virus, which meanwhile replicates prolifically in the salivary glands. The infected host, deprived of any sense of caution, is driven to furious attack and sometimes also racked with intense sexual urges. Today we know that most new diseases come from our contact with animal populations, but with rabies this transition is visible, visceral, horrible. A maddened creature bites a human, and some time later, the human is seized with the same animal madness.
Known and feared for all of human history—references to it survive from Sumerian times—rabies has served for nearly as long as a literary metaphor. For the Greeks, the medical term for rabies (lyssa) also described an extreme sort of murderous hate, an insensate, animal rage that seizes Hector in “The Iliad” and, in Euripides’ tragedy of Heracles, goads the hero to slay his own family. The Oxford English Dictionary documents how the word “rabid” found similar purchase in English during the 17th century, as a term of illness but also as a wrenching state of agitation: “rabid with anguish” (1621), “rabid Griefe” (1646).
The roots of the vampire myth stretch back nearly as far. Tales of vampire-like creatures, formerly dead humans who return to suck the blood of the living, date to at least the Greeks, before rumors of their profusion in Eastern Europe drifted westward to capture the popular imagination during the 1700s.
In its original imagining, though, the premodern vampire differed from today’s in one crucial respect: His condition wasn’t contagious. Vampires were the dead, returned to life; they could kill and did so with abandon. But their nocturnal depredations seldom served to create more of themselves.
All that changed in mid-19th century England—at the very moment when contagion was first becoming understood and when public alarm about rabies was at its historical apex. Despite the fact that Britons were far more likely to die from murder (let alone cholera) than from rabies, tales of fatal cases filled the newspapers during the 1830s. This, too, was when the lurid sexual dimension of rabies infection came to the fore, as medical reports began to stress the hypersexual behavior of some end-stage rabies patients. Dubious veterinary thinkers spread a theory that dogs could acquire rabies spontaneously as a result of forced celibacy.
Thus did rabies embody the two dark themes—fatal disease and carnal abandon—that underlay the burgeoning tradition of English horror tales. Britain’s first popular vampire story was published in 1819 by John Polidori, formerly Lord Byron’s personal physician. The sensation it caused was due largely to the fact that its vampire, a self-involved, aristocratic Lothario, distinctly resembled the author’s erstwhile employer.
But Polidori’s Byronic ghoul only seduced and killed. It took until 1845, with the appearance of James Malcolm Rymer’s serialized horror story “Varney the Vampire,” for the vampire’s bite to become a properly rabid act of infection. For the first time readers were invited to linger on the vampire’s teeth, which protrude “like those of some wild animal, hideously, glaringly white, and fang-like.” And at the long tale’s end, Varney’s final victim (a girl named Clara) is herself transformed into a vampire and has to be destroyed in her grave with a stake.
Both these innovations carried over into the most important vampire tale of all, Bram Stoker’s “Dracula.” In Stoker’s hands, the vampire becomes a contagious, animalistic creature, and his condition is properly rabid. It is a lunge too far to claim (as one Spanish doctor has done in a published medical paper) that the vampire myth derived literally from rabies patients, misunderstood to be the walking dead. But it is clear that this central act of undead fiction—the bite, the infection, the transferred urge to bite again—has rabies knit into its DNA.
Over time, the vampire’s contagion infected his undead cousin, too. The original zombie myth, as it derived from Haitian lore, also involved the dead brought back to kill, but again without contagion—an absence that carried over to Hollywood’s earliest zombie flicks. In this and many other regards, the most influential zombie tale of the 20th century was nominally a vampire tale: Richard Matheson’s 1954 novel “I Am Legend,” whose marauding hordes of contagious “vampires,” victims of an apocalyptic infection, set the whole template for what we now think of as the standard zombie onslaught.
Since then, as Hollywood has felt the need to conjure ever more frightening cinematic menaces, the zombie has if anything grown increasingly rabid. The antagonists in Matheson’s novel can, at times, carry on an intelligent conversation with a normal human. By the 2007 film adaptation, starring Will Smith, the infected are howling, lunging, senselessly hateful animals inside a human form. Danny Boyle, the director of “28 Days Later,” has said outright that he modeled his zombie virus on rabies. But even if he hadn’t consciously done so, the name he gave that virus—”Rage”—already draws its power from the same centuries-old supply.
Westerners don’t have much cause to fear death from rabies these days. Thanks to the availability of vaccine, human fatalities in the U.S. have dropped to a handful per year; Britain got rid of the virus entirely in 1902, succeeding in just the sort of national eradication project that apparently stymied the vampire-slaying Abraham Lincoln. Yet the infected bite, the human turned animal aggressor, menaces us as often as ever on our flat screens and nightstands.
Rabies itself may be a distant concern, but the rabid idea, like Varney the vampire, still has teeth—and it still succeeds in spreading itself.
Summer solstice, 2012: Six months to doomsday?
WASHINGTON — When the summer solstice arrives Wednesday, it will mark six months until the winter solstice on Dec. 21, when, according to some people’s reading of the Mayan Long Count calendar, the world will be destroyed.
Scientists and archeologists have debunked the doomsday theory, but it remains alive and well in popular culture.
“People who are not specialists in the Maya calendar have taken a few quotes and a few misunderstandings by scholars, and they’ve picked it up and run with it,” says Simon Martin, co-curator of a “Maya 2012: Lords of Time” museum exhibit in Philadelphia. “So it becomes somewhat unrecognizable.”
In 2009, the movie “2012”destroyed the world in the best special-effects fashion. The cable channel Spike TV has announced a new reality show called “Last Family on Earth,” in which one of the prizes is a spot in an underground bunker provided by Vivos, a company that sells space in such shelters. Vivos, for its part, maintains a countdown clock on its Website.
Striking a more positive note, the online stock trading firm Ameritrade suggests, “Say the sun rises on December 22, and you still need to retire. Ameritrade consultants can help you build a plan that suits your life.”
The end of days has been scheduled often during human history. The Bible’s Book of Revelation predicts it. Many Europeans expected the end of the world would come in the year 1000. More recently, American evangelist Harold Camping predicted doomsday would arrive May 21, 2011, then he switched the date to Oct. 21. Now he’s reconsidering.
The source of the current fear apparently is the end of the cycle of the Mayan Long Count calendar, one of the Mayans’ many calendars. The Mayan culture in Middle America thrived for six centuries before collapsing around 900 A.D., according to recent scholarship, because of a series of droughts and possibly warfare. The Mayans were sophisticated calendar makers and time keepers; in Guatemala recently, a Mayan mural with calendar calculations etched on the walls was discovered.
Kate Quinn, director of the University of Pennsylvania Museum of Archeology and Anthropology, or the Penn Museum, where the “Lords of Time” exhibit was displayed, says that the previous end date on the Mayan Long Count calendar occurred 5,125 years ago and was regarded as a significant event.
“They really thought of it as the turning over of dates, as the rebirth, the reawakening — the time to really reflect and start anew and just refresh,” Quinn said. “They really believed in that in the same way that we do with our New Year’s resolutions, but this was a bigger one for them. A much larger time frame. A very big party.”
Martin, co-curator of the exhibit, says that because of different correlations of dates, there is some dispute over when the Mayan Long Count calendar actually will end this time. He said you might want to wait until Dec. 25 to be in the clear.
In September 2011, Archeology Magazine published an article exploring various doomsday theories, from black holes to magnetic fields. Even the National Aeronautics and Space Administration is getting into the act, with its “Ask an Astrobiologist” feature including a question-and-answer column on “Nibiru and Doomsday 2012.” (Nibiru is a planet that the ancient Sumerians forecast would hit and destroy Earth.) E.C. Krupp of the Griffith Observatory in Los Angeles wrote an article for Sky and Telescope magazine going through various theories, “The Great 2012 Doomsday Scare.”
“In various spiritual and religious beliefs we find evidence of the end. It comes back as a kind of classic theme in the culture that we’re imagining it’s about to end,” says author Ben Winters, whose new mystery, “The Last Policeman,” is based on the premise of Earth’s destruction from an asteroid.
The doomsday theories provide “a reason to not be engaged in the world as it is,” he said. “To be thinking about some imagined future, some brutal future. It’s a kind of a fantasy, it’s a kind of escapism.”
Quinn said, however, that when the museum polled visitors to the Maya 2012 exhibit, most people were unaware of the details behind the Mayan Long calendar and the end of days.
“You ask, how do you think the world’s going to end, and they say, ‘Well, it’s something with the sun, aren’t we going to crash into something?’or, ‘It’s going to be a flood,’ and they didn’t really know,” Quinn said. “So there seemed to be a lot of theories out there, and a lot of opportunities out there for us to help the public to be directed to what we know to be true.”
Martin said that doomsday scenarios seem to be a North American phenomenon dating to the 1970s.
“It is something that recurs in societies that are looking for answers beyond what science seems to offer,” Martin said. “I think that people aren’t always happy with what science tells them.”
One positive benefit of the possible end of days, however, could be a boom for tourism in Honduras and other areas where Mayan civilization thrived.
“The hotels are selling out; the restaurants are going to be booked,” Quinn said. “It’s a great opportunity for them to bring in tourists altogether because the people who are interested in this idea of apocalyptic thinking, whether they believe the world going to end or not, they understand that the event is going to be here. They want to be there at that time.”
Locals in those areas seem bemused by it all, Quinn said. While preparing for the exhibit, she said, the descendants of the Mayans asked her, “Why do you Americans think the world’s going to end? And what is it with you people? How can you possibly trace it back to us?”
THE DEAD SHALL RISE – Vampire skeletons discovery comes after zombie apocalypse scare
A discovery of vampire skeletons by scientists were found in Bulgaria. New of this comes on the heels of a bizarre zombie apocalypse scare from last week.
Archaeologists believe they’ve discovered centuries-old skeletons that were pinned down with iron rods going through their chests. It was a ritual done to the dead so they wouldn’t turn into vampires, FOX reports. The practice occurred in certain parts of Bulgaria and continued up until the turn of the last century.
Two skulls were found over the weekend near the Black Sea town of Sozopol in Bulgaria.
At the time time there was superstition that those who did evil when they were alive, would return from the dead and feast on the living’s blood. This prompted the hammering of iron rods through the dead’s chest bones and hearts.
Over 100 corpses around Bulgaria have been found stabbed as a way to prevent them from becoming vampires.
The latest news is a slight distraction from the horrific zombie apocalypse-like incidents that took place throughout the U.S. and Canada last week. At least this discovery is about skeletons, archaic beliefs, and traditional practices of the old ages. It’s seemingly less shocking compared to cannibalism!